Monday, April 17, 2017

Short Adventure in Pudu

It was a lazy Sunday that I kicked myself out of bed because I knew I needed to satisfy the itch of my fingers for some shutter action. I loaded the Olympus OM-D E-M10 Mark II into the bag along with some small prime lenses, the M.Zuiko 25mm F1.8, 45mm F1.8, and of course the newest addition the Panasonic 14mm F2.5 pancake lens. I did not exactly have anything planned out in mind, no specific objectives, but I knew if I went out even just for a short stroll I will come across some interesting moments and subjects on the street that will be worth shooting. The trick is just to get out and start observing, the photography opportunities will manifest. After all, it was a Sunday, so I was keeping things slow for the day.

I finally ended up at Pudu wet market, but explored the streets around the main market. It did not took long for interesting moments to appear. Lighting was glorious for the morning, intense directional sun light, and the sky was clear, creating bold and high in contrast image output. I think it was an hour and a half quick walk, I have gathered some images, and I thought I should call it a day. Solo photowalks are always faster and more efficient, as I got to go to the locations that I wanted and less waiting around.

Portrait of a Stranger 
Saw this dude waiting outside the staircase entrance and thought the bold red shirt he was wearing matched the blue painted walls on the back nicely. He was friendly too and we had a little chat. 

Baby On the Move 
Saw this awesome sunspots spread over the area and I thought would make a good background for a street subject. By luck a lady carrying her baby, with umbrella and clothing having matching colors walked by. 

Getting Off
Like what I have shared previously on how to create street drama, what goes up must come down. I saw the lady inside the truck and I knew she would be coming out of the truck soon. So I waited for a while and got this shot. 

Toy Shops Are Colorful
I like the unevenness in this image, as the strong morning sun casted strong highlights and shadows in the image. I waited for a person wearing bold color clothing to step into the frame and the man in yellow was just the perfect candidate to fit the frame. 

Fly
Can't have too many photos of birds, and I never get bored of shooting flying birds. 

Flower Man
Followed this man around for a bit from behind and captured this shot. I do not normally shoot people from behind, but I think it works for this one shot. I like that there is another man greeting this guy from the motorcycle. 

Fruit Seller

Safety First

Uniform

Red vs Blue
There is just something about red and blue combination that works. Many country flags have dominant red and blue colors, many superheroes as well. 

Once Upon A Miao 2
Bought a new book, launched recently, authored by a friend from my hometown Kuching. 

I notice that I am sharing less and less photographs from my shutter therapy sessions. I also did not shoot that many images in a single session in comparison to what I did 2-3 years ago. I believe that quality is more important than quantity, and I have become more and more selective of what I shoot on the street. Also, from the pool of images that went into the memory card, I administered a tighter curation process, and show only the images that I wanted to share. 

How is your shutter therapy going lately? Do tell! I want to hear your stories. 

Please support this blog by liking my Facebook Page here (click). 

Tuesday, April 11, 2017

The Lazy Weekend

It has been a terribly long week, so when the weekend came, I decided to take it slow this time. There were a few errands to run and important events to go to, but I basically let the weekend drift and made sure I had plenty of rest. Went to several locations to get some shots that I have had in mind, and I treated myself to some good coffee and comfort food. We deserve to pamper ourselves once in a while.

The thought of making a photobook has always been at the back of my mind. This was an experimental print I did for a compilation of of my street photography shots. I still want to produce the photobooks and make it available for sale but I think the biggest challenge is to make it affordable or at the price point that everyone agrees with. By keeping the price down, I do need to restrict the number of photos in the book and also compromising print quality. This photobook idea will be shelved for this moment. 

Wednesday, April 05, 2017

Revisiting Panasonic Lumix 14mm F2.5 Pancake lens

Recently I have re-acquired the often underrated Panasonic 14mm F2.5 pancake lens, and naturally it became the most frequently used lens for my latest shutter therapy session. I brought along the Panasonic 14mm F2.5 pancake lens alongside Olympus M.Zuiko  45mm F1.8 to Chow Kit, which was my favourite street hunting ground for a much needed street photography session last Saturday. I had Van, Robert and Sim joining me for this session.

I genuinely love pancake lenses, and I think Olympus and Panasonic should produce more pancake lenses. We already have compact and superbly sharp F1.8 lenses, why not create pancake lenses of respective focal lengths, but instead of F1.8, make them F2.8? I can totally imagine having 25mm F2.8 and 45mm F2.8, and perhaps a 12mm F3.5 (since it is more difficult to do a pancake design for wide angle lenses) but keeping everything in slim, pancake design. Yes, F2.8 means we are losing some light or having more depth of field but imaging the lens being so slim and compact! I can live with the aperture brightness compromise, as long as the image quality is still decently sharp and technically well controlled. Give us more pancake lenses, make them ultra portable, and most importantly, reasonably priced (oh make them cheap that we do not even have to think twice to buy).

I am falling in love again with the Panasonic 14mm F2.5 lens. I simply love the 28mm focal length (equivalent) perspective, which is rather wide and produces different coverage than what I normally do with 25mm F1.8 and 45mm F1.8 lens.

All images were taken with Olympus OM-D E-M10 Mark II with mostly Panasonic 14mm F2.8 and a few shots with M.Zuiko 45mm F1.8

Oh yes, I test printed a photo-book, just to see how the print quality is. Was also toying with the idea of making a photobook for sale to my blog readers. This idea will have to remain an idea for the time being. 

Sunday, April 02, 2017

KL Tower Series: Doing Similar Shots Differently

I have often been asked, why do I walk along the similar shooting routes on the street since I have been there so many times everything would look the same and I will obtain similar photography output?

My answer to the above question:

1) I have not shot the "best" photograph yet. In fact, every single time I walk on the same location, shooting the same subjects and scenes, I am getting better, even if the incremental improvement is so marginally small. Over time, I can see my growth.

2) Different time, different moments. It is nearly impossible for the same moment to repeat itself again, but we can always hope and anticipate new and perhaps more interesting moments to happen, if we put ourselves out there enough to be ready to capture them.

3) Different vision, and different way of seeing things. Every time I go out I try to put on a fresh perspective, I always asked myself - if I have done this before, how can I do this differently this time, and certainly, how can I make this shot better? Perhaps, a use of different focal length, shifting shooting position, or more dramatic composition choices? The possibilities of producing different outcomes of the similar subject or scene are endless.

For example, the prominent Kuala Lumpur Tower (as well as the even more popular KLCC Twin Towers) has been shot like a billion times over by locals and tourists, why would anyone bother to add to the internet junk collection? Surely there would be no way anyone can outdo anyone else, and should not we consider doing something more original, less popularly photographed, to stay ahead in the game?

Then my sincere advice, is that there is no game. Because there is no finishing line when it comes to photography, and it is ok to shoot what everyone else is shooting. You just have to tell yourself that you can create your own photographs based on your own vision.

So here, I present to you, the collection of KL Tower shots that I have accumulated, with different point of view, composition, and ideas behind the shots.


Since the KL Tower is a prominent landmark, it is a great backdrop for street subjects. Here I was emphasizing on the pigeons in flight, but utilized the KL tower to establish the sense of location of this image. 

Thursday, March 30, 2017

Bihzhu Live At Bobo KL

I have been quite active lately with a selective group of local singer-songwriters in Kuala Lumpur, following their gigs and live performance whenever I can. I brought along my faithful Olympus OM-D E-M10 Mark II to shoot some stills as well as record footage of the stage performance. What better way to end a stressful day (or week) by immersing myself in good quality, locally made music while having my camera itch scratched away at the same time.

I was at Bihzhu's live performance at Bobo KL last Saturday, and it was a full house! Such intimate performance spanning about 2 hours long of great music and soulful, powerful and melodramatic vocals was exactly the best way to cap off my Saturday. I had a half day Olympus Street Photowalk which I led in the morning, and an afternoon appointment with friends that drained me off, so in the evening it was nice to just sit back and relax to some really awesome music!

Shooting condition was not ideal, typical low light stage situation but the E-M10 Mark II handled this session gracefully. I had to shoot between ISO1600 to 3200 to maintain fast enough shutter speed (at F1.8) but surely this was nothing that the OM-D can't handle. Original stage lighting had too much warmth with a strong hint of greenish color cast. The auto white balance did a splendid job to automatically balance the stray colors to produce realistic and pleasing skin color. I believe Bihzhu's lovely dress being dominantly white helped in producing natural looking white balance.

The biggest challenge for me, if I were to really put some effort in getting my shots, would be being stuck in one stationary position, since the venue of show was not large, and the audience filled it to the brim. No matter where I moved myself, I would have accidentally blocked someone's view, and that would have been rude. I decided not to be an annoyance and just stayed seated at one spot, moving to a second location only after the intermission.Where you are standing and shooting from is probably one of the most important factor to determine the outcome of composition and coverage, and this was something I lacked from this particular session. Furthermore, being stuck in one spot prevented me from shooting every member of the band, something which I always tried to do.

I think the life-saver of the night, being stuck in a full house event, seated not too near to the main stage, was having both the 45mm F1.8 and 75mm F1.8 lenses. To those of you shooting a lot of stage events, these two lenses can make a world of difference. Tighter perspective can draw the facial expression and emotion conveyed by the performer much closer and this produces a more impactful outcome. Also, the F1.8 wide open aperture aids in gathering as much light as possible, especially in less than ideal lighting conditions. The fact that Olympus M.Zuiko lenses are already so sharp even at wide open F1.8 means I can shoot everything wide open without the need to stop the aperture down. All images in this post were taken at F1.8, and I have not wished they were any better in any way.

I was focusing on getting the right moment (critical expressions, etc) but the more I listened to Bihzhu's enchanting voice the more I realized shooting was not really that important after all. I was enjoying myself and that was all that mattered. Sometimes we get too engrossed with photography that we live our entire lives through the viewfinder, it is good to just put down the camera and take in the moment. This is so true when it comes to music and live shows.

All images were taken with Olympus OM-D E-M10 Mark II and M.Zuiko lenses 45mm F1.8 and 75mm F1.8

I have also recorded some video, and this was a cover of Dirty Projectors, "Stillness Is The Move".


Check out Bihzhu at:
Official Website: http://www.bihzhu.com/

Every time I recorded a video I am always stunned by how good the 5-Axis  image stabilization is, and the convenience of not having to use a tripod. Imagine, I was attending an event and every one was seated comfortably in a tightly crowded space, a set up of a tripod would have stuck out like a sore thumb! Some may argue that the video on OM-D (older then E-M1 Mark II) has nothing to write home about, I beg to disagree. If you are a cinematographer, a professional videographer, then you can decide what you want. All I wanted was a high quality recording of my favourite singer-songwriter in action and I believe the E-M10 Mark II did a splendid job, despite my lack of skills in video recording. 


Tuesday, March 21, 2017

The Birds That Fly

I have been looking back at my own collection of photographs lately and discovered a consistent subject which I have been actively hunting. No, it was not the cats on the streets, I have talked about my love for street cats and how they always become the center of my street shooting attention in my previous blog article here (click). Unexpectedly, I have been shooting birds, almost as much as I was shooting cats on the streets.

A while ago, a good friend of mine questioned the "zoo animal" photographs being unrealistically fake and uninspiring, not only because the animals were caged, but the close up shots of the animals do not portray what they instinctively do in the free, wild world. A free bird will not just perch on a branch for the whole day, the bird will spread the wings and fly, and a shot of the bird doing that is a lot more dramatic and real. Another friend of mine, who is a visual artist and a prominent local comic blogger has shared that he drew birds in his sketches and comics as a symbolism of freedom. Perhaps, these important people have influenced my thoughts and inspired me to take a closer look whenever there were birds flying by near my street hunting grounds.

I fully understand that not all the images taken at my street photography sessions are actually street photography, but lets bring that to a different discussion on another blog entry. Including a flying bird in a shot of a local landmark adds a different mood to that framing altogether. I think there is always a human fascination of a flying subject, and men always wish they can fly (I wonder why we were not given wings). Also, if you look at some of the amazing street photography by other established photographers, birds can be quite popular too in their work.

All the images shown here are compiled from my shutter therapy session for the past one year or more. I thought placing all of them together can form an interesting montage, creating a consistent visual story.


Thursday, March 16, 2017

Kuching Street Photography Again!

So I was traveling home again last weekend, this time for the official launch of my first ever photo exhibition, the Street of Kuching, a collective of Kuching street photographers. I chose to stay on for a few days after the launch, just to have some time to catch up with beloved mum, relatives, and some beautiful friends. Surely, I slotted a bit of time for street shooting! Nothing beats shutter therapy in my lovely, awesome hometown, and I had two mornings all to myself to roam the streets of Kuching freely, shooting whatever I wanted. The first session I went alone, and the second one I was joined by Jee Foong, a talented photographer friend.

Special thanks to Jee, who took time and effort to show me around, and revealed some secret locations which I never would have known! It is interesting finding out new locations to shoot, even when I was talking through the same streets. Although I was back in Kuching some time late last year (to shoot for images for the photo exhibition), strangely even in such short amount of time, there were noticeable changes around town. There were a few more street arts decorating the walls of old shops and that observation tower of the Open Air Market was painted white! The last time I was back I remembered it was yellow.

I armed myself with my own Olympus OM-D E-M10 Mark II with Panasonic 14mm F2.5 (yes the pancake lens is making a return), M.Zuiko 25mm F1.8 and 45mm F`1.8. I used mostly the M.Zuiko 25mm f1.8 this time.

The observatory tower standing from the Open Air Market is now white! I think I prefer it looking white now, compared to the previous yellow, which was a little out of place. Though I cannot say how long it will remain white, considering the constant rain and humid weather in Kuching. Anything white spells disaster when it comes to maintenance. Lets hope we do not have to wait too long before this is being repainted again. 

Friday, March 10, 2017

The Cheap Alternative For Macro Photography, Raynox DCR-250

Not too long ago, I have purchased a Raynox DCR-250 macro adapter to be used on the Panasonic Lumix LX-100, which gave satisfactory macro shooting results. I have since then been curious to try the Raynox adapter on an Olympus lens, and only recently found some time to do this experimentation. The fun part about macro photography is the infinite possible options of using alternatives to achieve sufficient magnification as well as creative lighting techniques. This time, I fitted the Raynox DCR-250 macro adapter onto the M.Zuiko 75mm F1.8 lens, and did my usual insect macro shooting with that combination.

The macro adapter itself, Raynox DCR-250

My humble, simple insect macro photography setup, Olympus OM-D E-M10 Mark II, 75mm F1.8 lens with the Raynox DCR-250 macro adapter, FL-50R external flash used wirelessly with Gamilight mini softbox diffuser. 

Tuesday, March 07, 2017

My First Photo Exhibition!

I think it is every photographer's goal to have their photographs displayed in a public exhibition, and doing one has been at the back of my mind for a while. I know that my blog here is an actual public space where anyone from anywhere in the world can come freely and view my photography work, but an actual photography exhibition in print is an entirely different thing altogether. I finally had a chance to join a collective of street photographers and helped to create the first ever street photography exhibition in my own lovely hometown, Kuching (in Borneo).

My beloved hometown, Kuching, Sarawak, which was located at the Northern part of Borneo Island. 



Monday, February 27, 2017

Shooting ALYA WTA Malaysian Open 2017 With Olympus OM-D E-M10 Mark II and M.Zuiko 40-150mm F2.8 PRO Lens

It was a working Saturday for me, with a basic photography workshop conducted by me (if there is any chance the attendee of that workshop is visiting this page, thanks, and welcome!) and I was attending a friend's wedding in the evening, and that effectively left me only Sunday for shutter therapy. I wanted to do something differently, and Van suggested that we shoot an on-going ALYA WTA Malaysian Open at TPC, Kuala Lumpur, which was an official WTA tennis tournament. Being a tennis fan myself, and having the possibilities to try out my own Olympus OM-D E-M10 Mark II for sports shooting, I thought why not?

The gear on the table

Surely, it was a Sunday, so the gang met up and took it slow, starting with overpriced coffee and filling our stomachs with good food, before we went under the gruesome grilling Malaysia sun for the rest of the afternoon. We went to a nice cafe, The Good Batch suggested by Robert and we had our brunch there, which was not too far from where the tennis tournament was. I had poached eggs and slices of salmon with some fancy dressing and like all ordinary Asians we spent way too much time photographing our food before we ate them.

Monday, February 20, 2017

A Brief Encounter With Panasonic Leica 15mm F1.7

Shaun was visiting Kuala Lumpur again last weekend, and he brought with him the Panasonic Leica 15mm F1.7 which he claimed to be his favourite lens at this moment for Micro Four Thirds. Another photography friend, Bjorn has also spoken very highly of this lens. I thought, why not give this lens a go and see what I can shoot with it?

I am not sure why Panasonic likes to create lenses with really unusual focal lengths. 15mm, which in 35mm equivalent format is 30mm, is quite an irregular number, and it would have made much more sense if they just have a standard 14mm (classic 28mm equivalent) lens! Since the closest, "popular" focal length is 28mm equivalent, I shall use the lens as if I was composing with a wide angle, 28mm equivalent perspective. Oh dear, wide angle has never been my first choice when it comes to street photography, and I almost always use longer focal lengths, unless absolutely necessary.

This is not a review of the lens, I will need a lot more time to use the lens before I can write a full review. Using the lens for a few hours was not sufficient for me to form a meaningful conclusion. Also, there are already several reliable reviews available for this Panasonic 15mm F1.7 lens. I will also avoid doing any comparisons with any existing lenses from any brand, the last time I did this I suffered through unnecessary bashing, though I was being completely honest. I have figured out that sometimes people just want to hear what they want to hear, so I am shying away from comparison tests and just focus on creating photographs.

The Panasonic Leica 15mm F1.7 fits the E-M10 Mark II perfectly. 

Monday, February 13, 2017

Adventures in Hokkaido With Olympus OM-D E-M1 Mark II

Edit: I have included more food photographs, just for you, Jason. 

I recently have visited Hokkaido, Japan in an officially organized trip by Olympus. There were rounds of sight-seeing and doing touristy activities, and I had the opportunity to bring with me an Olympus OM-D E-M1 Mark II with several PRO lenses to use throughout the trip. We did not have a lot of time, and most of the trip was already planned out, so I was merely tagging along. As a result, most of my images taken were nothing more than snapshots that any ordinary visiting tourists would have taken, in the eyes of a foreigner visiting an alien land.

The experience was quite surreal, it was my first time seeing so much snow, and being in a place with almost -10 degrees Celcius was both fun and painful in some ways. I have always loved the cold but the trouble to go through, putting on layers and layers of cloths, wearing proper walking boots as well as using gloves, seriously no joy in those. And operating a camera, shooting through the gloves was so difficult!

I did have one final day in Shinjuku, which I had some brief time to myself to explore on my own. I have decided to merge the images from Shinjuku together with Hokkaido series, since I did not have enough images to create a Shinjuku series on its own.

All images were taken with Olympus OM-D E-M1 Mark II and M.Zuiko lenses 7-14mm F2.8 PRO, 25mm F1.2 PRO, 45mm F1.8 and 40-150mm F2.8 PRO

The Sapporo TV Tower, with an observation deck at the top. Of course, like any other tourists I went up and had a high viewpoint of Sapporo's beautiful city from up there.  

Japanese cities are so beautiful, many of them are surrounded by high mountains. 

Naked tree branches, in winter. I know some of you are bored of this sight, but to me, this is something quite unusual and never seen in Malaysia. 

Sunday, February 05, 2017

The Panasonic LX100 Is Not A Bad Street Shooting Machine

So I have had the Panasonic LX100 for a while now, despite some shortcomings and my complains of a few key missing features, it is starting to grow on me and I am getting more and more shots that I really like shooting with LX100. It is surely not the love at first sight, this camera takes time to learn and understand, surely takes much longer time to love.

Yesterday, I did a quick catch up session with dear friend and fellow Micro Four Thirds shooter from Melbourne, Australia, Ananda who was home for Chinese New Year holidays. We decided to go to Pudu Wet Market, and it has been a while since my last visit there. Initially I wanted to shoot Pudu with just the new Huawei Mate 9 Pro that I have loaned from Huawei Malaysia (you know, do as much as you can with it before return) but I realized one of the favourite things I want to do in Pudu is portraits of strangers. Therefore, having a versatile zoom lens is crucial to deal with the messy background of a wet market.

I guess I still do have to complain about a few things. While I can now live with the poor JPEG rendering of LX100, and perfectly comfortable post-processing the RAW files, I still cannot let go the issues of the poor image stabilization and not having tilt-screen on the camera. There were a few moments I was shooting at dangerously slow shutter speed, without realizing, because you know, shooting at wide angle with any Olympus cameras at about 1/5 to 1/10 second shutter speed is almost 100% guaranteed to be free of hand/camera shake. That is not the case with the LX100, even at 1/15 seconds, shooting at wide angle, there is about 50% of a chance of camera shake! It is not a huge shake, it is bad enough for the image to look soft, annoyingly soft. The only solution is to increase the ISO sensitivity, which is not an issue since LX100 can handle up to ISO1600 with no serious issues.

I miss the tilt screen so much, I find myself having difficulty doing compositions at low and high angles, and these are IMPORTANT compositions to get the perspective that I want. I seriously also wonder why Fuji did not add tilt screen for their latest X100F camera. I believe tilt screen, or swivel screen is a MUST have feature in all modern cameras.

Morning Karaoke

Wednesday, February 01, 2017

I Recorded Myself Doing Shutter Therapy In Video! Check It out!

Following up my recent camera review of the Huawei Mate 9 Pro smartphone I did few days ago, I have made a video of myself doing shutter therapy in KL streets. The video screenshot feature was particularly useful, so I could capture in video what the camera was seeing!




Monday, January 30, 2017

Huawei Mate 9 Pro Review From A Photographer's Perspective

UPDATE: I have recorded myself using the Huawei Mate 9 Pro for street shooting in a video! You may check out the video here (click). 

Huawei has launched their new flagship smartphone series, Huawei Mate 9 and Mate 9 Pro just last month. I was approached by Huawei Malaysia with a loaned unit of Huawei Mate 9 Pro for review purposes. The reason I am excited to try this phone out is the Leica involvement with the development of the camera module of the Huawei Mate 9, which is the second collaboration effort since the Huawei P9 (I have reviewed here and here).

I am not a tech junkie, and I am sure at this time of writing, there are dozens of tech-oriented reviews focusing on the smartphone aspects of Mate 9 Pro published on the net, everywhere in the world, offering in depth look and informative opinions. Therefore, there is no reason for me to add another review of a smartphone, which I believe that most of these sites have done a wonderful job reporting. On the other hand, as I have done a quick online research specifically for the camera review of Huawei Mate 9, not much information came up. The most extensive review I have come across was a video review done by Pocketnow focusing on just the camera on the phone, which I thought was exceptionally well done. As a photo-enthusiast who is obsessed with image quality, camera performance and creating beautiful looking images as a hobby, I shall take a good look particularly at the Huawei Mate 9 Pro's camera imaging capabilities in this blog review. 

The Huawei Mate 9 Pro loaned to me from Huawei Malaysia was a Champagne Gold edition. The shiny exterior was a breath of fresh air, since most of my gadgets and photography gear are in monotonous black color theme. 

Tuesday, January 17, 2017

5 Reasons Why You Need Image Stabilization

Oh dear, so much for a fresh start of a New Year, I have not been updating this blog as frequently as I initially have planned. I did however get plenty of chance to shoot, so I do have fresh images to share, and plenty of ideas to talk about here. Nonetheless, lately there are many things I do need to take care of in real life which negated much of my free time to just sit down and compose a proper blog entry. Even now, a Sunday (at the time of writing), I am currently at a cafe an hour earlier, hoping to squeeze in some time to write before a local favourite band performance starts here.

Right, lets get into the topic, image stabilization.

When it comes to purchasing a new camera, some of the prioritized considerations include the image sensor performance, image quality output (resolution, high ISO, dynamic range, etc), autofocus performance, but not many people will tell you to take a good look at the image stabilization. Some photographers would boldly claim that image stabilization is not a crucial necessity, and for serious photography that requires absolutely steady camera setup, tripods are used instead. However, it has been a long while since image stablization was introduced to consumer photography market, and Olympus has come a long way since the introduction of 5-Axis Image Stabilization in the OM-D E-M5 in 2012. Much improvements have been made, some photographers who have experienced what the image stabibilization offers, never looked back.

Therefore, in this particular blog entry, I want to explore the necessity of a powerful image stabilization system, how relevant is it for non-professional, casual photographers (because, well, I am not a pro photographer myself, just a hobbyst like 95% of other photographers out there) and what you can do maximizing the potential of the image stabilization.

All images were taken with Olympus OM-D E-M1 Mark II with M.Zuiko 12-100mm F4 IS PRO lens. All images were taken hand-held. 


This image was taken hand-held, at 1.3 seconds to achieve the smooth water effect. 

Thursday, January 05, 2017

Panasonic LX100 + Raynox DCR-250 Macro Converter: An Experiment

I have always heard of the existence of the Raynox DCR-250, an inexpensive, yet superbly high in quality macro converter (basically, a close up lens), but never actually tried one, or found a reason to get one. I have had friends who have shown incredible results using the Raynox, and the macro photographers have highly recommended this converter, even if you are doing serious macro photography.

When I found out that the native screw on thread of the Raynox DCR-250 is 43mm which can be fitted directly into the Panasonic LX100's lens, I went and bought one immediately.


My humble, simple setup for insect macro photography last weekend. Panasonic Lumix LX100 with the supplied add on flash, Raynox DCR-250 Macro Adapter, and a white sheet of paper as a diffuser for the flash. 

Sunday, January 01, 2017

How To Create Drama In Street Photography

Happy New Year 2017 to all of you beautiful blog readers! I wish everything awesome flowing into your lives throughout 2017.

I have had quite a great head start to 2017, and on today's local paper, The Borneo Post, I was featured in an article about creative artists' resolutions for the 2017 year. Special thanks to the amazing Georgette Tan for the interview and featuring me.

It was a long weekend, and when I have some spare time to myself, you know the only thing I would do is to get out and shoot some photographs! My experimentation with the Panasonic Lumix LX100 continues, and this time I had a friend tagging along. Nick Wade (oops, forgot to take a portrait shot of Nick in action this time) was with me shooting on the morning of the New Year's Eve and I could not think of a better way to spend my time.

From what happened to be my last shutter therapy session of 2016, I came home with a few images that looked a little more dramatic than usual, and I thought why not compile the images and write a blog article about that?

If you look at the pool of street photographs (which has become a growingly common genre practiced widely everywhere now), the images that stood out usually have some drama in them. The drama can usually be the split second action of something happening, the creative play of merging visually stunning lines and perspectives or something completely unpredictable and random yet beautifully conceived in a photograph. To have that drama in a street photograph immediately elevated the status of that photograph from the otherwise, ordinary, uninteresting and cliche snapshots which have been done to death. There is no clear defining characteristics of these "dramatic traits" but each photographer can inject his or her own input.

In this blog entry I am sharing what I normally do, what I look for, and how I add drama to my street photography.

1) WHAT GOES IN MUST COME OUT. WHAT GOES UP MUST COME DOWN


Jump 1